https://coryleeart.com Corylee Sun, 26 Jan 2025 03:18:27 +0000 https://coryleeart.com en https://coryleeart.com/Info Wed, 29 Sep 2021 14:45:40 +0000 Corylee https://coryleeart.com/Info https://coryleeart.com/chatbot Wed, 28 Sep 2022 17:27:11 +0000 Corylee https://coryleeart.com/chatbot Welcome to chat whith me (Cory AI Eliza bot version🤖) Yihua Li (Cory) is a media artist and creative technologist exploring reflexive systems where humans and AI co-author a sense of life. As Founder of Echuu, a 3D AI VTubing platform, he works with real-time CGI, AI VTuber (Virtual Youtuber) engines, and emboddied dance to poetry system to make adaptation publicly visible. His works have been showcased in leading exhibitions and conferences such as SIGGRAPH (Best Art Paper 2025), NeurIPS Creative AI Track, CVPR AI Art Gallery, ACM Creativity &amp; Cognition, and CHI Interactivity. He has also received multiple honors including the MUSE Design Gold Award, the LA A+D Museum Generative AI Award, and recognition from Fukuoka Digital Art Award, NYC ARTECHOUSE, Deji Art Museum (with Beeple), Chinese CHI, and Tongji Design Week.He is also the reviewer of 2025 Neuips Creative AI Track https://coryleeart.com/Language-as-Magic-Dance-to-Poetry-AI-Writting-System Tue, 20 Aug 2024 23:13:53 +0000 Corylee https://coryleeart.com/Language-as-Magic-Dance-to-Poetry-AI-Writting-System Language as MagicThe World 1st “Dance to Poetry” AI Writting System Link Jupyter Notebook+Tensorflow ML+AI Agent Siggraph 2025 Best Art Paper&nbsp;* MUSE DESIGN AWARDS GOLD * 11 Exbition/Awards https://coryleeart.com/Game-as-the-exploratory-media Tue, 20 Aug 2024 23:18:31 +0000 Corylee https://coryleeart.com/Game-as-the-exploratory-media AI Native Game Web X AI Full Stack AI Native Multiplayer Game Link Google Gemini + 3JS + NodeJS + Webrtc Game as the exploratory media*4 Exhibition/Awards https://coryleeart.com/Vtubing-Bar Tue, 20 Aug 2024 22:09:27 +0000 Corylee https://coryleeart.com/Vtubing-Bar <img width="139" height="124" width_o="139" height_o="124" data-src="https://freight.cargo.site/t/original/i/9690c4efc17b3e0b7f1dc8e473c75a8dab7131cf436d098fee2cb863220162e0/star-E-logo.png" data-mid="245466442" border="0" data-scale="16" src="https://freight.cargo.site/w/139/i/9690c4efc17b3e0b7f1dc8e473c75a8dab7131cf436d098fee2cb863220162e0/star-E-logo.png" /> ‘Echuu’ AI VtuberLink WIP(Exp Link): https://www.echuu.live/en build in public on twitter and linkeidn：https://x.com/Echuu_AIVTUBING https://coryleeart.com/Header Wed, 29 Sep 2021 14:45:41 +0000 Corylee https://coryleeart.com/Header https://coryleeart.com/Poespin-Wherever-your-body-reach-there-is-a-poetry Fri, 14 Jun 2024 15:18:05 +0000 Corylee https://coryleeart.com/Poespin-Wherever-your-body-reach-there-is-a-poetry Human-AI Cocreated writting system / CGI / Projection Mapping / MocapPoespin-Wherever your body reach, there is a poetry <img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/71cb62b79836e5cc74be77bfc6c80062f7ee7ed731d24cccf81939280b547ce6/.png" data-mid="214173287" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/71cb62b79836e5cc74be77bfc6c80062f7ee7ed731d24cccf81939280b547ce6/.png" /> "HOW CAN WE KNOW THE DANCER FROM THE DANCE?"- Yeatz (1865-1939) PoeSpin is a human-AI cocreating writting system that transforms ‘pole dancing’ movements into poetry, blending Eastern and Western artistic traditions. Our project uses three innovative approaches: AI-driven poetry composition inspired by dance, incorporating the circular Chinese “Lianhuanshi” (连环诗) form / “Chinese ring poetry” to reflect pole-dance’s rotational nature.The reduction of the dimensions of word vectors creating the space for dancers to experiment with ‘automatic writting’.The expansion of the dimensions of the captured body movement as an exploration of semantic meanings By fusing W. B. Yeats’ poetry and Chinese poetic structures, PoleSpin creates a unique narrative that bridges cultures. It reimagines dance as a universal expression, and is projected into verses, which embodies both physical grace and cultural heritage. This is also the 1st ‘dance to poetry’ art project to interpret pole dance through computational linguistic perspective.&nbsp; <img width="909" height="1458" width_o="909" height_o="1458" data-src="https://freight.cargo.site/t/original/i/50074c437f1e305b33a8e5017b9bfbd6d0e8705bc8302607594a200fcf8526b0/2024-MUSE-Design-Awards-Site-Bages-Gold-2.png" data-mid="217213315" border="0" data-scale="33" src="https://freight.cargo.site/w/909/i/50074c437f1e305b33a8e5017b9bfbd6d0e8705bc8302607594a200fcf8526b0/2024-MUSE-Design-Awards-Site-Bages-Gold-2.png" /> MUSE DESIGN 2024 AWARD GOLD WINNER <img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/2997c1d7ab8ed2c82f1078cc1312d1ab6d437a544d93c467b7035bb05f9725cb/OFFICIAL-SELECTION---NeurIPS-Creative-AI-Track---2024.png" data-mid="223018097" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/2997c1d7ab8ed2c82f1078cc1312d1ab6d437a544d93c467b7035bb05f9725cb/OFFICIAL-SELECTION---NeurIPS-Creative-AI-Track---2024.png" /> 2024 NeuralPS Creative AI track <img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/864446005cbcc36ce06b016b5b8483a42413cddf53b2a82ce30b4a1f50182642/OFFICIAL-SELECTION---Chinese-CHI-2024-Art-Gallery---2024.png" data-mid="220947827" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/864446005cbcc36ce06b016b5b8483a42413cddf53b2a82ce30b4a1f50182642/OFFICIAL-SELECTION---Chinese-CHI-2024-Art-Gallery---2024.png" /> 2024 Chinese CHI Art Gallery <img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/c00ca7abd0e8736f595bdd6593820c5e2ee0192215e89d5bbf62dbb163154a12/OFFICIAL-SELECTION---Aspace-Gallery---2024.png" data-mid="222258856" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/c00ca7abd0e8736f595bdd6593820c5e2ee0192215e89d5bbf62dbb163154a12/OFFICIAL-SELECTION---Aspace-Gallery---2024.png" /> 2024 Aspace Gallery <img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/84f935a54ebfbf593292920758b6917b4362cd5818b8e23e03fb4ef71882e3c5/OFFICIAL-SELECTION---Nanjing-Deji-Art-Museum----2024-BEEPLE-DIGIVERSE.png" data-mid="223018096" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/84f935a54ebfbf593292920758b6917b4362cd5818b8e23e03fb4ef71882e3c5/OFFICIAL-SELECTION---Nanjing-Deji-Art-Museum----2024-BEEPLE-DIGIVERSE.png" /> 2025 BEEPLE DIGVERSE <img width="256" height="168" width_o="256" height_o="168" data-src="https://freight.cargo.site/t/original/i/9165307a33222803006db9ff505051aeab5bc662b623b6b336a6df71d1356232/image-3-2.png" data-mid="223018368" border="0" data-scale="87" src="https://freight.cargo.site/w/256/i/9165307a33222803006db9ff505051aeab5bc662b623b6b336a6df71d1356232/image-3-2.png" /> 2025 NYC ARTTECHHOUSE <img width="975" height="570" width_o="975" height_o="570" data-src="https://freight.cargo.site/t/original/i/054bc09ced7d3b1bc9b8ffa87544d41a7779584ba2028cb24efc5c18099c9413/CVPR-AI-ART-Gallery---Official-Selection---2025-1.png" data-mid="229551131" border="0" src="https://freight.cargo.site/w/975/i/054bc09ced7d3b1bc9b8ffa87544d41a7779584ba2028cb24efc5c18099c9413/CVPR-AI-ART-Gallery---Official-Selection---2025-1.png" />2025 CVPR AI Art Gallery <img width="975" height="570" width_o="975" height_o="570" data-src="https://freight.cargo.site/t/original/i/f668637cef66f410946efc7c61c564e8b937e1320d22d878be0863a5468e36d6/Siggraph-Long-Art-Paper---Official-Selection---2025.png" data-mid="233940487" border="0" data-scale="100" src="https://freight.cargo.site/w/975/i/f668637cef66f410946efc7c61c564e8b937e1320d22d878be0863a5468e36d6/Siggraph-Long-Art-Paper---Official-Selection---2025.png" />2025 SIGGRAPH Best ART PAPER(Overall Recommendation:4.7/5.0 Expertise:2.7/3.0) <img width="975" height="570" width_o="975" height_o="570" data-src="https://freight.cargo.site/t/original/i/b37ff916562d01aea1ece5aa48815ce38b3ab89f42d9da3911899f79f2e2be8f/Digital-Design-Days-Prompt-Magazine---Official-Selection---2025.png" data-mid="234597690" border="0" data-scale="28" src="https://freight.cargo.site/w/975/i/b37ff916562d01aea1ece5aa48815ce38b3ab89f42d9da3911899f79f2e2be8f/Digital-Design-Days-Prompt-Magazine---Official-Selection---2025.png" /> 2025 Digital Design Days Prompt Magzine <img width="975" height="570" width_o="975" height_o="570" data-src="https://freight.cargo.site/t/original/i/ba191ad32c15eb78f3e8de6bd4544a39a8d9aaa41518955048309f27662d3e05/NYU-Global-Show-Tell---Official-Selection---2025-1.png" data-mid="234597691" border="0" data-scale="27" src="https://freight.cargo.site/w/975/i/ba191ad32c15eb78f3e8de6bd4544a39a8d9aaa41518955048309f27662d3e05/NYU-Global-Show-Tell---Official-Selection---2025-1.png" /> 2025 NYU Global Show&amp;Tell <img width="264" height="129" width_o="264" height_o="129" data-src="https://freight.cargo.site/t/original/i/03660aa37c6312a9f028c7b896074d72ecf289ed37ef1da5937b426b8bcb7ab7/Weixin-Image_20251227135023_370_2.png" data-mid="242205088" border="0" data-scale="30" src="https://freight.cargo.site/w/264/i/03660aa37c6312a9f028c7b896074d72ecf289ed37ef1da5937b426b8bcb7ab7/Weixin-Image_20251227135023_370_2.png" /> 2025 DIA Award Siggraph 2025 Long Art PaperYihua Li, Hongyue Chen, Yiqing Li, and Yetong Xin. 2025. PoeSpin: A Human-AI Dance to Poetry System for Movement-Based Verse Generation. Proc. ACM Comput. Graph. Interact. Tech. 8, 3, Article 35 (August 2025), 13 pages. https://doi.org/10.1145/3736781 Mentor:Prof. Allison Parrish - NYU ITP/IMA: https://rwet.decontextualize.com/Prof. Marcel Oliver-Rose Truxillo: https://linktr.ee/mrt439 Team:Cory Yihua Li(Director,AI Writting System,CGI) Wendy Li(Poet on the pole, Choreographer)Jiayi Li(Animator, Rigging, Cloth Design)--NYU ITPArchy Hongyue Cheng(English Literature&amp;Poetry Consultant)--Universität Freiburg English Literatures and Literary TheoryReraner Yetong Xin (Curator,Art Director,3D Art CGI)--Harvard GSD Armon Naeini (Creative Technologist / TouchDesigner Coder)-- NYU ITP Consultant &amp; Main Reference:Cheesetalk(Yuqian Sun)--AI Nvshu https://dl.acm.org/doi/10.1145/3610591.3616427,Weidi Zhang--Cangjie's Poetry https://dl.acm.org/doi/fullHtml/10.1145/3465619 Photo&amp;Video Documentation：Baiyuan Xin --NYU ITP Music &amp; Sound Design:&nbsp;Cardin An Chung--USC Thornton Technical Assistant: Henry Beach-Artechouse Poetry Examples Version I AI Agent (BLIP Vision Recognition +Claude AI) ring poetry strategy <img width="3262" height="3587" width_o="3262" height_o="3587" data-src="https://freight.cargo.site/t/original/i/0f1514348b1c7eb38af565b8d3bac0f9d8e48ab96aea85f6227897be9330f2f4/star2.png" data-mid="214148334" border="0" src="https://freight.cargo.site/w/1000/i/0f1514348b1c7eb38af565b8d3bac0f9d8e48ab96aea85f6227897be9330f2f4/star2.png" /> 数星无言夜渐深 言夜渐深谁共鸣 深谁共鸣言夜渐 渐深夜言无星数 Counting stars and the silent night is getting darker As the night gets darker, who resonates? Deep words fade into the night It's getting late and there are no stars left <img width="3112" height="4096" width_o="3112" height_o="4096" data-src="https://freight.cargo.site/t/original/i/632ef2d985f71be12656b597edc96b198d94c956a98295e6c9d7e22a74a3e663/Beauty18.png" data-mid="214175169" border="0" src="https://freight.cargo.site/w/1000/i/632ef2d985f71be12656b597edc96b198d94c956a98295e6c9d7e22a74a3e663/Beauty18.png" /> Version II Word Vector Dimensional Reduction Space Strategy Stanza 1: eternal beauty cry cry ever wander trouble within gloom sing peace wage name friend dance ever singe bid strike dance into peace Stanza 2: tell praise secret spirit die leave from girl within gloom cushioned place eternal beauty dance dance before dawn name friend dance into peace bid Stanza 3: heavy story toil poor child overhead pace labour cushioned place sing peace before dawn ever singe dance name friend strike dance Stanza 4: yet turn leave sad beauty mistake gratitude with sorrow inland valley ever singe dance before dawn name into peace name friend bid strike <img width="3112" height="4096" width_o="3112" height_o="4096" data-src="https://freight.cargo.site/t/original/i/6981b10f6e4592b48aa34f7b45e707bc6d39e4ceecf5e16abf4d4e0fef93c08e/Beauty3.png" data-mid="214148056" border="0" src="https://freight.cargo.site/w/1000/i/6981b10f6e4592b48aa34f7b45e707bc6d39e4ceecf5e16abf4d4e0fef93c08e/Beauty3.png" /> Version III Motion Capture Data (Dimensional Increasing by Fourier transform) Mapping to High Dimensional Space Stanza 1: wizard song murmur song give melody many shore barter half write pass worm weave on hope gentle feeling like tooth away go exchange opinion for bee for creak by storm for thee Stanza 2: at hour from child human child chaplet olden dance bend head show twist maybe lift still leave pull long hair from eye ever grieve still flare quiet Stanza 3: brown dear lovely thing drink consume bring hound hapless faun from unwet plant on sea take man now take unhaunted sleep you come again! love soul lip still go pitch future day Stanza 4: now have up go change shine golden grasshopper sweat wet leave own will dip new ease sing bribe leafy island wander wood <img width="3112" height="4096" width_o="3112" height_o="4096" data-src="https://freight.cargo.site/t/original/i/68ada7ced105fd8470c2c2cf6650fabe5695b66af8e4fb44ca451a9666c52691/Beauty7.png" data-mid="214148060" border="0" src="https://freight.cargo.site/w/1000/i/68ada7ced105fd8470c2c2cf6650fabe5695b66af8e4fb44ca451a9666c52691/Beauty7.png" /> 1. Initial Conception Inspired by Martha Graham, the mother of modern dance, who said: 'DANCE IS THE HIDDEN LANGUAGE OF THE SOUL', we posed a question: "How can we transform dance into poetry?" Dance may represent the most primitive and direct form of human expression. It is not only an art form but also a means of communication rooted in our biological instincts. This project aims to make an initial attempt at translating dance into poetry using a specific dance form: pole dancing. We collected motion capture data of pole dancer Wendy Li at the NYU Motion Capture Laboratory. By combining dance semantics and cultural background for data processing, we aim to explore the connection between human behavior and computational semantic space, and create a Dance to Poetry AI Art System. Through observation, we found that pole dance movements are primarily circular. Dancers showcase their postures using core strength and limb extension/contraction, with climbing and inverted positions as expressive forms. Dance movements have unique and highly creative names: Flamingo, Full Moon, Phoenix... (https://www.onlinepolestudio.com/moves/pole/alphabetical/) Based on these spatial and cultural semantic features, we initially developed three approaches: <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ab9dd974810db768ef6f4f5d3d83f7199d58347be61c0dd9a6c71b72338c27a2/newplot-6.png" data-mid="214175337" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/ab9dd974810db768ef6f4f5d3d83f7199d58347be61c0dd9a6c71b72338c27a2/newplot-6.png" /> <img width="1702" height="1276" width_o="1702" height_o="1276" data-src="https://freight.cargo.site/t/original/i/8279487bdaec484d560891c1171f543386370d555835152ce307b4024024c18c/Weixin-Image_20240705122618.jpg" data-mid="214175439" border="0" src="https://freight.cargo.site/w/1000/i/8279487bdaec484d560891c1171f543386370d555835152ce307b4024024c18c/Weixin-Image_20240705122618.jpg" /><img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/3c3886736dc6e1f24056d1b576fa114fa1b26c42c2e5395ecb76d581d221c0e3/Weixin-Image_20240705122808.jpg" data-mid="214175438" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/3c3886736dc6e1f24056d1b576fa114fa1b26c42c2e5395ecb76d581d221c0e3/Weixin-Image_20240705122808.jpg" /> 2. Corpus Construction William Butler Yeats (1865-1939) was an Irish poet, dramatist and writer, and won the 1923 Nobel Prize for literature. As a symbolist poet, he often used allusive imagery in his poems and later built his own symbolic systems in A Vision (1925). As Gale Research International commented, “His use of symbols is usually something physical that is both itself and a suggestion of other, perhaps immaterial, timeless qualities.” Among the symbols he has been using, dance has a significant role both in his theatrical plays and his poems. 3.1 Among the poets, why do we pick Yeats particularly? Among the English symbolist poets, Yeats’s work caught our attention immediately for its reflection of both western tradition and eastern heritage. On the one hand, as a successor of the English Romantic transition, Yeats sought for the connection between writing and vision in his experiments of automatic writing. On the other hand, as a scholar who is fascinated by eastern culture, he often borrowed exotic images from Japanese and Chinese traditional dances, such as masks and various forms of dance, and integrated them into his work.&nbsp; 3.2 What is dance to Yeats? What is Yeats's perception of dance? As Jones summarized in the Oxford Handbook of W. B. Yeats: “Dance in Yeats’s writing embodies a range of preoccupations, ideas, and states of being, variously referring to shifting historical change, memory, an expansion of consciousness, and giving access to forms of transcendence, expressions of eternality, insanity, or violence.” Dance is not only one of the most important symbols in Yeats's poetry but also a crucial component in Yeats's theatrical performances. In other words, Yeats’s works provide a platform for the lyrical movement and the dancers’ movement to communicate with each other. Not only the written texts could be visualized through dances, but the “inner rhythm of the body” could also find its way to express outwardly through texts. This is also what we want to achieve through this project–enabling dancers to speak through poetry. As the image of dance constitutes a significant part of Yeats’s poems, it also corresponds to our needs of constructing a dance-relevant resource pool, where the dancers’ modes of action can find their corresponding words.&nbsp; 3.3 Which poems did we choose? As for the choice of poems for this resource pool, we have picked all Yeats’s poems that are related to dance. Besides, we have chosen other poems that are included in the same collection even though dance was not explicitly mentioned. Since for Yeats, the symbol of dance is also interconnected to other symbols, such as rose, the inclusion of other poems with the appearance of other symbols help enrich the meanings of dance in Yeats’ poetry.&nbsp; <img width="570" height="760" width_o="570" height_o="760" data-src="https://freight.cargo.site/t/original/i/1b5e3e61f12852e9d4585e101728bab6c117542cdbe746e43febb3c0598dcd64/2.png" data-mid="214173642" border="0" data-scale="100" src="https://freight.cargo.site/w/570/i/1b5e3e61f12852e9d4585e101728bab6c117542cdbe746e43febb3c0598dcd64/2.png" /> 3. Data Strategy<img width="6912" height="4608" width_o="6912" height_o="4608" data-src="https://freight.cargo.site/t/original/i/c1c7b3b6bbda193ff98b81595b312956075c7b9aac6dcd2aca9c2f600d30618e/NLPS_poster_01.png" data-mid="223506588" border="0" src="https://freight.cargo.site/w/1000/i/c1c7b3b6bbda193ff98b81595b312956075c7b9aac6dcd2aca9c2f600d30618e/NLPS_poster_01.png" /> 3.1 AI Agent as choreographer and Poet making Poem Cycle Based on rotation angle =&gt; AI Agent (Vision API, BLIP Vision Recognition to identify the name of this movement) =&gt; Imagine dancer's intention → Form 2D circular poetry pattern) =&gt; One line for each tracker "Lianhuanshi" (连环诗), or "Linked-Ring Poetry," is a unique form of Chinese poetry. It typically refers to poems where the characters are interlocked, like interconnected rings, hence the name "Linked-Ring Poetry."The format of Lianhuanshi is usually arranged in a circular pattern. There's no limit to the number of characters used. There are many ways to read these poems, but generally, one starts from the central character at the top of the circle, then reads clockwise or counterclockwise. Every five or seven characters form a break, allowing the reader to create multiple five-character or seven-character poems. Some Lianhuanshi works can be read starting from any character. Following a specific pattern, numerous poems can be formed (often in the style of classical Chinese poetry with the same number of characters per line). https://baike.baidu.com/item/%E8%BF%9E%E7%8E%AF%E8%AF%97/1269439#:~:text=%E8%BF%9E%E7%8E%AF%E8%AF%97%EF%BC%8C%E6%98%AF%E4%B8%AD%E5%9B%BD%E8%AF%97,%E8%8B%A5%E5%B9%B2%E9%A6%96%E4%BA%94%E8%A8%80%E8%AF%97%E6%88%96%E4%B8%83%E8%A8%80%E8%AF%97%E3%80%82 <img width="2000" height="2369" width_o="2000" height_o="2369" data-src="https://freight.cargo.site/t/original/i/2dd6927709ce4a40c2e44ab6a419ba8beb692f6c23a778c98b2aa9aed8e63c71/Untitled-1.png" data-mid="214183006" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/2dd6927709ce4a40c2e44ab6a419ba8beb692f6c23a778c98b2aa9aed8e63c71/Untitled-1.png" /> 3.2 Dimensionality reduction spaceTSNE/PCA dimensionality reduction and word distributionLocal similarity, overall corpus structure =&gt; Tracker records 3.3 Motion capture data dimensionality increase Based on high-dimensional spatial perspective (word vector dimensionality increase) =&gt; Motion capture of four points: 3D → 300D =&gt; Read at high speed to extract points, then correspond to certain words =&gt; Sentence fragments 4. Results Comprision Along with our experiments, we have already generated different versions of results, which have propelled us to constantly adjust our strategies. Instead of purely generating texts through dancing, we also want it to be readable and make sense to the readers to some extent. Therefore, besides relevant themes, it is crucial to choose the right form of poetry. In general, as Yeats’s poems are often in the form of free verse, we naturally continued this form to speak to the free expression of the pole dance.&nbsp; 4.1 Adjustment Two: From non-stop lines to stanzas The first version of generated poetry presented itself as a loose combination of words (see below), and it reveals two problems. Firstly, the frequency of grammatical mistakes needs to be decreased. More importantly, though we limited the words of a line within the range of eight to ten, we noticed that the non-stop lines hindered readers from sense-making.<img src="https://lh7-us.googleusercontent.com/docsz/AD_4nXeP7iYrtJUY0fCCjZn5Cpjey9CKzi8bU_cPuJfZnf59hrTthiMLNUHhQx0adx7J_OHvEyY28LiQDEywt5a3S3anjyMs0KVE0EElTHzIAFzTlyL7dldCjBYHR96sWw4HY2MqDwBRpDe9RWZ7_UAM9xSrofM?key=Ki_R38UaRPw_45dIc4tPWg" width="593" height="383" style="color: rgba(255, 255, 255, 0.85); font-family: &quot;Arizona Serif Variable&quot;, Icons; font-size: 1.7rem; font-weight: 700; width: 593px; height: 383px;">Version I In order to tackle it, we further divided the lines into stanzas. The caesura between the stanzas led to a psychological effect on the readers, who tend to make sense of the lines within a stanza. Besides, we limited each stanza to four lines and a whole poem with only four stanzas. Our inspiration for the division of poems also comes from the dancers’ change of height during the pole dance.&nbsp; As the dancer frequently moves from the ground to the midair, rotating from the pole, the change of the height of their position could be used as a mark of the caesura between the stanzas. (Such division of the stanza is based on the assumption that the height of the dancer implies different expressions, which is open to doubt and discussion.) Version II Stanza 1: eternal beauty cry cry ever wander trouble within gloom sing peace wage name friend dance ever singe bid strike dance into peace Stanza 2: tell praise secret spirit die leave from girl within gloom cushioned place eternal beauty dance dance before dawn name friend dance into peace bid Stanza 3: heavy story toil poor child overhead pace labour cushioned place sing peace before dawn ever singe dance name friend strike dance Stanza 4: yet turn leave sad beauty mistake gratitude with sorrow inland valley ever singe dance before dawn name into peace name friend bid strike4.2 Adjustment One: From single word to set phrases And in order to decrease the frequency of grammatical mistakes, we replaced the random words in the resource pool with set phrases (as mentioned above, they are divided by the part of speech). As the number of words in each line is limited, the grammatical issues have appeared less. However, we are still looking for other methods to further decrease them, and if possible, make them fully disappear. The version two above is the result based on these two adjustments. 4.3 The role of AI and LLMs in translation In order to maintain the originality of the poetry, and impart the major responsibility of poetry composition to the dancing itself, we have, from the very beginning, limited the use of AI and LLMs. They could have been a way to eliminate the grammatical mistakes, but their involvement would totally reconstruct the order of the words and thus the possible semantic meanings. Regarding that, we only used AI to translate the generated texts into different languages. Surprisingly, even though the generated texts were sometimes a weird juxtaposition of phrases, AI tried its best to make sense of such arrangements, and automatically fixed some grammatical problems during the process of translation, while still keeping the original style as much as possible. So far, the Chinese translation of the poems works the best in the respect of sense-making, possibly due to its syntactic looseness compared to European languages; the German version of the poems presents better rhymes. Both translations below are based on the poem of Version II. &nbsp;&nbsp;&nbsp;&nbsp; Sektion 1: Ewige Schönheit weint und verweilt für immer Singe in Trauer Friedenslöhne Name Freunde tanzen einmal singen Kämpfe für den Streik, tanze in den Frieden Sektion 2: Der Geist, der das Geheimnis des Lobes verrät, stirbt und geht Das Mädchen aus den Schatten, ewige Schönheit Tanz vor dem Morgengrauen. Tanz. Namensfreunde Tanze mit Frieden Sektion 3: Schwere Geschichten lassen arme Kinder leiden Wo der Kopf tritt, polstert die Arbeit den singenden Frieden Singen und Tanzen vor dem Morgengrauen Namensfreunde schlagen Tanz Sektion 4: Doch dann drehte er sich um und verließ die traurige Schönheit Falsche Dankbarkeit und Traurigkeit im Outback Valley Einmal sang er vor Tagesanbruch den Namen des Tanzes Freunde wollen im Namen des Friedens streiken 第1节: 永恒的美哭泣并永远停留 悲伤中歌唱和平工资 名字朋友一起跳舞一起唱歌 为罢工而战，为和平而舞 第2节: 背叛赞美奥秘的灵魂死了，走了。 来自阴影的女孩，永恒的美丽 黎明前的舞蹈名字的朋友 与和平共舞 第3节: 悲惨的故事让贫困儿童受苦 头部踏入的地方，工作就铺垫歌唱的和平 黎明前唱歌跳舞 名字的朋友跳舞 第4节: 然后，他转身离开了那悲伤的美丽。 内陆山谷中的错误感激和悲伤 一天，黎明前，他唱起了舞蹈的名字。 以和平的名义罢工 セクション 1: 永遠の美は泣き、永遠に残る 悲しみの中で平和を歌う 友人の名前をつけてダンスを一度歌う 平和へのストライキダンスのために戦う セクション 2: 賛美の秘密を語る精神は死に、去る 影から現れた少女、永遠の美 夜明け前にダンスを踊る 友人の名前をつけてダンス 平和と踊る セクション 3: 重い物語は貧しい子供たちを苦しめる 頭が踏み出す場所 労働クッション 平和を歌う 夜明け前に歌い踊る 友人の名前をつけてダンスを踊る セクション 4: しかしその後、振り返って悲しい美を去った 偽りの感謝と悲しみ アウトバック バレー かつて夜明け前にダンスの名前を歌った 友人は平和の名の下にストライキを命じる 5. Conclusion Polespin is an attempt to translate dance into poetry, where the body movements are projected as verbal speech, and the height of the bodies as caesura between the stanzas. Polespin is also a trial to set a stage for the communication between and the fusion of two art forms. The common meaning space we have built targets at dissolving the boundaries of the two forms. As the dimensionality of words decreases, the dimensionality of the body movement rises, and they both fall into this meaning space and meet each other. Instead of treating it as a compromise from both sides, we perceive it as a mutual fulfillment. The inner rhythm of the body finds its way to express outwardly, and the lyrical texts could find its trace in the visual space. From the results, we could see that the generated Chinese ring poem presents a post structuralist reading of text and pole dance, since we could start from different characters to navigate the poetry and also from different parts to understand pole dance.The generated English poem reveals a structuralist perspective of understanding pole dance. Each pole dance posture points towards one or several set phrases in the meaning space, and therefore the movement of the dancers could constitute a unique poem. 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data-src="https://freight.cargo.site/t/original/i/16b631eba6a02811a2e86a6aceeeec6ea50186c093e8334754e99dc495ad7adc/_2025-08-15_185030_709.png" data-mid="237768343" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/16b631eba6a02811a2e86a6aceeeec6ea50186c093e8334754e99dc495ad7adc/_2025-08-15_185030_709.png" /><img width="918" height="1347" width_o="918" height_o="1347" data-src="https://freight.cargo.site/t/original/i/7506587095cef4e72edaa092a9cf1bc7a0322d5a981b5ed11a877da407fe6a1c/_2025-08-15_185049_589.png" data-mid="237768341" border="0" data-scale="33" src="https://freight.cargo.site/w/918/i/7506587095cef4e72edaa092a9cf1bc7a0322d5a981b5ed11a877da407fe6a1c/_2025-08-15_185049_589.png" /><img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/a37df91c1636803f6982a40217cbdedffba39e1d662eaba6a03bfee3db487d8e/bestartpaper.jpg" data-mid="237768346" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/a37df91c1636803f6982a40217cbdedffba39e1d662eaba6a03bfee3db487d8e/bestartpaper.jpg" /><img width="5016" height="7100" width_o="5016" height_o="7100" data-src="https://freight.cargo.site/t/original/i/e835e095e5388b5968f8c688601227ff0eff76f7eec25fef840359ebdb7a47c5/ChineseCHI1.jpg" data-mid="237768345" border="0" data-scale="37" src="https://freight.cargo.site/w/1000/i/e835e095e5388b5968f8c688601227ff0eff76f7eec25fef840359ebdb7a47c5/ChineseCHI1.jpg" /><img width="842" height="595" width_o="842" height_o="595" data-src="https://freight.cargo.site/t/original/i/ab00effc24c33bddb97d694c9289553c4881a0a0aba5fee6b7ae99fdacb93b77/A4---6.jpg" data-mid="237768325" border="0" src="https://freight.cargo.site/w/842/i/ab00effc24c33bddb97d694c9289553c4881a0a0aba5fee6b7ae99fdacb93b77/A4---6.jpg" /> Wherever your thoughts could reach, there’s the poetry! -- Poespin - End - Yihua Li and my people who support us all along the way 2025.8.14 Vancouver * New York&nbsp; Next ︎ https://coryleeart.com/IRL-URL Mon, 15 Jan 2024 03:51:34 +0000 Corylee https://coryleeart.com/IRL-URL AI Native Game/Real Time Social Spaces IRL=&gt;URL <img width="2534" height="1323" width_o="2534" height_o="1323" data-src="https://freight.cargo.site/t/original/i/b9a90348320b81f609df62e3b30506e76e4e74465173ebcfd87c7c51ec77f24b/cover.png" data-mid="209937388" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b9a90348320b81f609df62e3b30506e76e4e74465173ebcfd87c7c51ec77f24b/cover.png" /><img width="1735" height="1152" width_o="1735" height_o="1152" data-src="https://freight.cargo.site/t/original/i/d484f9a71cff848d22c1518deee5beb61eb8320cb168766e6e54bdbb5f73ccbf/OFFICIAL-SELECTION---AD-Museum-AIGenerative-Art-Winner---2024.png" data-mid="213849497" border="0" data-scale="19" src="https://freight.cargo.site/w/1000/i/d484f9a71cff848d22c1518deee5beb61eb8320cb168766e6e54bdbb5f73ccbf/OFFICIAL-SELECTION---AD-Museum-AIGenerative-Art-Winner---2024.png" /><img width="975" height="570" width_o="975" height_o="570" data-src="https://freight.cargo.site/t/original/i/fb1835e2050e81dcef13096645c728f05ed0e032446a103c6ee5fdee425d3300/21st-Athens-Digital-Arts-Festival---Official-Selection---2025-1.png" data-mid="227972918" border="0" data-scale="22" src="https://freight.cargo.site/w/975/i/fb1835e2050e81dcef13096645c728f05ed0e032446a103c6ee5fdee425d3300/21st-Athens-Digital-Arts-Festival---Official-Selection---2025-1.png" /> "New Yorkers, where do you see yourselves going?‘ An AI Native game/real time social space transport passenger to infinity possible corners on the internet. Hardware: PC / Laptop Software: Online website adapted to any web browser (Default setting is Chrome) Before start the game please allow pop up windows on the browsers (The game need the permission for camera and headphone) Participants: Multiplayer but below 10 persons online at the same time INTROWhere will AI lead us? An AI-native game that uses URLs (powered by Gemini and Serp api) as exploration material, attempting to simulate real-time social spaces on the New York City subway. How to play? Players should listen and choose content that attracts their attention, they can choose up to 5 dialogues, then they will be teleported to somewhere on the internet. The whole goal of the game is to simulate the attention mechanism of the language Transformer (from 'Attention is all you need, 2017'). In real life, passengers act as encoders, trying to determine what really needs attention, while AI acts as a decoder, determining the destination (URL) people want to go to. Trying to think about how people's attention is focused and deprived by the media when attention becomes a scarce resource, and ADHD is prevalent. <img width="4001" height="3872" width_o="4001" height_o="3872" data-src="https://freight.cargo.site/t/original/i/0f4d3a91d316049ca57c92b5ac8dc52039ef722c77eeee0bcf3868d58d107702/cover-02.png" data-mid="211529902" border="0" src="https://freight.cargo.site/w/1000/i/0f4d3a91d316049ca57c92b5ac8dc52039ef722c77eeee0bcf3868d58d107702/cover-02.png" /> WHY I WANT TO DO THIS? Since moving to New York nearly a year ago, I have been captivated by the city's fast-paced, exciting, novel, and chaotic atmosphere, which sparked my curiosity about how individuals find their goals and directions amidst the hustle and bustle. This inspired me to create a game that mirrors my personal experiences in New York, with a concept significantly influenced by 'Serial Experiments Lain' and its idea of blurring the distinction between the 'real world' and the 'online world'. The advancement of AR and XR technologies, along with avant-garde experimental games like ARGs (Alternate Reality Games) and Pokemon Go, has further pushed the boundaries between reality and the virtual world. 'Serial Experiments Lain' proposes the notion of society as a large neural network, with every individual connected through the unconscious, which led me to consider integrating AI technology with the internet to create a novel gaming experience. <img width="2536" height="928" width_o="2536" height_o="928" data-src="https://freight.cargo.site/t/original/i/508ebc1dfc69d09642e36bcc65ebd2941ec8d77a29d7d8e9d871f5b282a3c705/network-01-01.png" data-mid="212151833" border="0" src="https://freight.cargo.site/w/1000/i/508ebc1dfc69d09642e36bcc65ebd2941ec8d77a29d7d8e9d871f5b282a3c705/network-01-01.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/155aa15e204ad9ce22ce5fc17ac78d5000b2f183e67d99c9e0326b0e43d96947/wallhaven-m3zyy1.jpg" data-mid="211967537" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/155aa15e204ad9ce22ce5fc17ac78d5000b2f183e67d99c9e0326b0e43d96947/wallhaven-m3zyy1.jpg" /> Lain<img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/221b3825166038c9734c2e9d8c6527cb580d92cb196e2e11dcff13e7f47f02d6/zjNtkyBHrMg_3q2dcINH8WnEnkA3bNNqCqNxXgr7eMI.jpg" data-mid="211967669" border="0" data-scale="59" src="https://freight.cargo.site/w/960/i/221b3825166038c9734c2e9d8c6527cb580d92cb196e2e11dcff13e7f47f02d6/zjNtkyBHrMg_3q2dcINH8WnEnkA3bNNqCqNxXgr7eMI.jpg" /> the old recording of Serial Experiments Lain that aired after 9/11 The synchronicity of the animation opening and news ‘ I am falling’‘ I am fading’‘I have lost it all ...’ Although AI technology in games is primarily used for content creation and simulation, it has not been highly integrated with the internet to decode user intentions. By transforming AI into a navigator on the internet and allowing players to interact with NPC-generated dialogues, I aim to explore this concept and gauge the audience's reaction to this innovative gaming experience. Some web art experiments, such as jodi.org, have used procedural generation on URLs to create an infinite website interface, but they often lack intention and related meaning for the audience. Similarly, Websim.ai uses URLs as a prompt for fake websites generation powered by Claude AI, which is an avant-garde integration, but it lacks immersion for the user and has barrier for those not familiar with URL’s structure. These examples highlight the need for a more balanced approach in UI design for AI-integrated games, one that effectively balances playfulness and cognitive load across diverse player groups. . By creating an AI-native game that simulates social phenomena and leverages the interpretative capabilities of LLMs to gather meaningful internet data as playful content, IRL⇒URL aims to provide an engaging platform for exploring social issues related to attention, information consumption, and the impact of technology on human cognition. This game reflects my personal experiences in New York and embodies my thoughts on merging reality with the virtual world and integrating artificial intelligence with the internet, potentially bringing new possibilities to the gaming industry and providing players with a unique and engaging experience. ARTSTYLE REFERENCE： New York subway, retro, mosaic mural, the low model rendering texture of PS1 early video games, Breakcore music (jungle, speedcore) GAME SCENES &amp; SNAPSHOTS <img width="2559" height="1599" width_o="2559" height_o="1599" data-src="https://freight.cargo.site/t/original/i/7c874e455d0a661aae4f38d1a76e513224b20054271ebcbd720950ac5f04ea76/Untitled.png" data-mid="211556127" border="0" src="https://freight.cargo.site/w/1000/i/7c874e455d0a661aae4f38d1a76e513224b20054271ebcbd720950ac5f04ea76/Untitled.png" /><img width="2201" height="2104" width_o="2201" height_o="2104" data-src="https://freight.cargo.site/t/original/i/57307dff1e164d8bb2fa1ffdbfb2d8b915baf86d53e2e71271348e78547f1f50/overallgameworkflow.png" data-mid="212145653" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/57307dff1e164d8bb2fa1ffdbfb2d8b915baf86d53e2e71271348e78547f1f50/overallgameworkflow.png" /><img width="339" height="939" width_o="339" height_o="939" data-src="https://freight.cargo.site/t/original/i/679f73d2a039ba5814f82fe4a5100bdb7e60d0ba47e5a31475c7abbc89f22b6b/Untitled-1.png" data-mid="212145655" border="0" src="https://freight.cargo.site/w/339/i/679f73d2a039ba5814f82fe4a5100bdb7e60d0ba47e5a31475c7abbc89f22b6b/Untitled-1.png" /><img width="2201" height="1439" width_o="2201" height_o="1439" data-src="https://freight.cargo.site/t/original/i/fe9aae4d76398c18a6c427565df7bd2c2e1f5dd2b1e6e3b71d06596c774aba7e/Frame-1.png" data-mid="212143414" border="0" src="https://freight.cargo.site/w/1000/i/fe9aae4d76398c18a6c427565df7bd2c2e1f5dd2b1e6e3b71d06596c774aba7e/Frame-1.png" /> TECHNICAL DESCRIPTION： IRL⇒URL is a multiplayer online game with an isometric 3D view (nodejs+webrtc+threejs). The scene is set in a carriage of the New York subway.Each user joins the website and then generates an ID. Each user generates an avatar with a webrtc video stream texture. Inside the carriage, users can communicate with each other (STT). There is an NPC that generates (actions, dialogue) in the carriage in each round. Each user can choose one of the contents as the nutrient for the next station navigation（5 pieces of any info）. After choosing the info that draw them attention, the Gemini +Serp API will recommend a video link to each person based on the conversation content and selected content and force the user to jump to the webpage (get off the bus). The whole game is a metaphor for the recommendation algorithm and the attention system for human machine intercation. <img width="1707" height="1571" width_o="1707" height_o="1571" data-src="https://freight.cargo.site/t/original/i/13ad1766066f661a1a872dfe4639e5641a8e8d8cda330c501cc1f1ff37517aec/Group-1.png" data-mid="212141947" border="0" src="https://freight.cargo.site/w/1000/i/13ad1766066f661a1a872dfe4639e5641a8e8d8cda330c501cc1f1ff37517aec/Group-1.png" /> Technical Workflow DATASET NPC DIALOG (MULTI AI AGENT IN FUTURE): Daily Dialog Dataset：https://huggingface.co/datasets/daily_dialog https://paperswithcode.com/dataset/dailydialog http://yanran.li/dailydialog ART DATA:Guerrilla art：https://en.wikipedia.org/wiki/Guerrilla_art https://en.wikipedia.org/wiki/New_York_City_Subway Font：https://nycsubwayfont.com/ https://www.myfonts.com/collections/lafarge-font-typetanic-fonts https://www.fontbros.com/font-family/subway-mosaic Subway Mosaic:&nbsp;https://en.wikipedia.org/wiki/New_York_City_Subway_tiles <img width="4407" height="3161" width_o="4407" height_o="3161" data-src="https://freight.cargo.site/t/original/i/a9b137ab2e745588946f07c8a6add883b9b49fa82bb7ba135055900ba38df727/Design-Recovered-03.png" data-mid="211529910" border="0" src="https://freight.cargo.site/w/1000/i/a9b137ab2e745588946f07c8a6add883b9b49fa82bb7ba135055900ba38df727/Design-Recovered-03.png" /> Our Participants from 2024 NYU ITP Spring Show Next ︎ https://coryleeart.com/Blibug-AI-Vtuber-based-on-danmuku-interaction-AI-Vtuber Thu, 21 Dec 2023 20:37:14 +0000 Corylee https://coryleeart.com/Blibug-AI-Vtuber-based-on-danmuku-interaction-AI-Vtuber AI Chatbot/Vtuber/Multimedia Installation Blibug:AI Vtuber based on danmuku interaction <img width="4616" height="2628" width_o="4616" height_o="2628" data-src="https://freight.cargo.site/t/original/i/4a17a7eac9bdaad82640ef628b2b69a552208c0cb132301d32c093ab33ae8c73/Blibug_pics-07.jpg" data-mid="199947499" border="0" src="https://freight.cargo.site/w/1000/i/4a17a7eac9bdaad82640ef628b2b69a552208c0cb132301d32c093ab33ae8c73/Blibug_pics-07.jpg" /><img width="3509" height="2482" width_o="3509" height_o="2482" data-src="https://freight.cargo.site/t/original/i/14119c71b79dbdba762dd0427a4e625df817abef715b7b287313f4b783b79a03/-2_-1.jpg" data-mid="199947489" border="0" src="https://freight.cargo.site/w/1000/i/14119c71b79dbdba762dd0427a4e625df817abef715b7b287313f4b783b79a03/-2_-1.jpg" /><img width="4640" height="2225" width_o="4640" height_o="2225" data-src="https://freight.cargo.site/t/original/i/af133334f2d75bc4077dd042d63c6d666e978a6a043d505b979c538f2d1334a3/Blibug_pics-10.jpg" data-mid="199947502" border="0" src="https://freight.cargo.site/w/1000/i/af133334f2d75bc4077dd042d63c6d666e978a6a043d505b979c538f2d1334a3/Blibug_pics-10.jpg" /><img width="4640" height="2642" width_o="4640" height_o="2642" data-src="https://freight.cargo.site/t/original/i/bac642b7c84eb08e8e26744950e6258583c6afcf970d9b7296d6daa9a51753b7/Blibug_pics-06.jpg" data-mid="199947498" border="0" src="https://freight.cargo.site/w/1000/i/bac642b7c84eb08e8e26744950e6258583c6afcf970d9b7296d6daa9a51753b7/Blibug_pics-06.jpg" /><img width="4640" height="2628" width_o="4640" height_o="2628" data-src="https://freight.cargo.site/t/original/i/984b680b6d4b2f91f1101b07792d9fc242d5d114d792e4247aba806db9a2d58a/Blibug_pics-08.jpg" data-mid="199947500" border="0" src="https://freight.cargo.site/w/1000/i/984b680b6d4b2f91f1101b07792d9fc242d5d114d792e4247aba806db9a2d58a/Blibug_pics-08.jpg" /><img width="4758" height="3010" width_o="4758" height_o="3010" data-src="https://freight.cargo.site/t/original/i/95aaa7a3424f892d17d86e1ec2f75083eefea33b94917b2cca091b7c8f6b74ba/Blibug_pics-03.jpg" data-mid="199947495" border="0" src="https://freight.cargo.site/w/1000/i/95aaa7a3424f892d17d86e1ec2f75083eefea33b94917b2cca091b7c8f6b74ba/Blibug_pics-03.jpg" /><img width="4693" height="2667" width_o="4693" height_o="2667" data-src="https://freight.cargo.site/t/original/i/fb14f0b639694b1f76e26efc279f7bf27555bf15be6a80003fbf056456d693e6/Blibug_pics-04.jpg" data-mid="199947496" border="0" src="https://freight.cargo.site/w/1000/i/fb14f0b639694b1f76e26efc279f7bf27555bf15be6a80003fbf056456d693e6/Blibug_pics-04.jpg" /><img width="4693" height="2614" width_o="4693" height_o="2614" data-src="https://freight.cargo.site/t/original/i/47487cc8e509d81e421a67077d84e2358c299d2c20e0176073c97916b2c505c5/Blibug_pics-05.jpg" data-mid="199947497" border="0" src="https://freight.cargo.site/w/1000/i/47487cc8e509d81e421a67077d84e2358c299d2c20e0176073c97916b2c505c5/Blibug_pics-05.jpg" /><img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/85af3ff8cc35767be067f66b9afed3864c3723e3e098eba3057587985c34cb56/_20230615123256.jpg" data-mid="199947508" border="0" src="https://freight.cargo.site/w/960/i/85af3ff8cc35767be067f66b9afed3864c3723e3e098eba3057587985c34cb56/_20230615123256.jpg" /><img width="1706" height="1280" width_o="1706" height_o="1280" data-src="https://freight.cargo.site/t/original/i/842618dbce6c778a663f6a771a6e602fc5ef45a969ede1b3ff0486e0bd7005a3/_20230615123308.jpg" data-mid="199947506" border="0" src="https://freight.cargo.site/w/1000/i/842618dbce6c778a663f6a771a6e602fc5ef45a969ede1b3ff0486e0bd7005a3/_20230615123308.jpg" /><img width="4643" height="2541" width_o="4643" height_o="2541" data-src="https://freight.cargo.site/t/original/i/d44c6b7c3234e2d71147de9a89ffcd463d0fd91edfbb054498c6be8a60f1d7a8/Blibug_pics-09.jpg" data-mid="199947501" border="0" src="https://freight.cargo.site/w/1000/i/d44c6b7c3234e2d71147de9a89ffcd463d0fd91edfbb054498c6be8a60f1d7a8/Blibug_pics-09.jpg" /><img width="1706" height="1280" width_o="1706" height_o="1280" data-src="https://freight.cargo.site/t/original/i/90e655411279c2d4febfa02eb2517ee7484e501279022b9cbc6af59c679bbb06/_20230615123302.jpg" data-mid="199947507" border="0" src="https://freight.cargo.site/w/1000/i/90e655411279c2d4febfa02eb2517ee7484e501279022b9cbc6af59c679bbb06/_20230615123302.jpg" /> Next ︎ https://coryleeart.com/Nature-Interface Sun, 26 Jan 2025 03:18:27 +0000 Corylee https://coryleeart.com/Nature-Interface Motion Graphics&amp;Animation 鹧鸪天Nature Interface <img width="2576" height="4577" width_o="2576" height_o="4577" data-src="https://freight.cargo.site/t/original/i/5dd0199be9a71f45ba72398db457a0908dfcefe86e5b6f6e2342bcaf499623c3/zhegutian.png" data-mid="225520906" border="0" src="https://freight.cargo.site/w/1000/i/5dd0199be9a71f45ba72398db457a0908dfcefe86e5b6f6e2342bcaf499623c3/zhegutian.png" /> <img width="2160" height="3840" width_o="2160" height_o="3840" data-src="https://freight.cargo.site/t/original/i/26f78cdee71d40fbe49c9ab5ecb380e4dd68c3816b6fb8245207f2b7a884e896/Beauty.png" data-mid="225520908" border="0" src="https://freight.cargo.site/w/1000/i/26f78cdee71d40fbe49c9ab5ecb380e4dd68c3816b6fb8245207f2b7a884e896/Beauty.png" /> <img width="2160" height="3840" width_o="2160" height_o="3840" data-src="https://freight.cargo.site/t/original/i/f7241fef107b4649c1a9e9e2795223fc995d9d627e01d0b87d3f58ed7f749b70/YAN.png" data-mid="225520920" border="0" src="https://freight.cargo.site/w/1000/i/f7241fef107b4649c1a9e9e2795223fc995d9d627e01d0b87d3f58ed7f749b70/YAN.png" /> Next ︎